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Antonioni: Another Old Master Gone

12:47 PM Tue, Jul 31, 2007 |  | 
Chris Vognar   E-mail   News tips

Antonioni with Jack Nicholson on the set of 1975's The Passenger (Sony Pictures Classics)

Two days, and two of the last links to the golden age of art house cinema are gone. One day after Ingmar Bergman shuffled from this mortal coil, the Italian modernist master Michelangelo Antonioni has followed suit at the age of 94. Antonioni was a master at depicting modern alienation through architecture and sparse storytelling (the last several minutes of his 1962 film Eclipse feature nary a spoken word, just a haunting series of glimpses at a seemingly empty Rome). His stark minimalist aesthetic reached its peak in the early '60s - just as Bergman was crafting his "God's silence" trilogy - with L'Avventura (1960), La Notte (1961), Eclipse (1962) and Red Dessert (1964).

Antonioni was best known in the States for 1975's The Passenger (at left), starring Jack Nicholson as a journalist who assumes the identity of a dead man. It was re-released by Sony Pictures Classics in 2005; check out our review here. He also gained a degree of fame for Blowup (1966), about a hedonistic photographer searching for the truth - and meaning - behind a dead body in the background of a photo. Read our DVD review here.

Antonioni suffered a stroke in 1985, but he contributed a chapter to the trilogy Eros, also featuring the work of Steven Soderbergh and Wong Kar Wai, in 2004. He received a lifetime achievement Oscar in 1995.

Perhaps he saw Bergman go and decided it was time. In any case, we've lost another giant.



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